Jo BPM

roachpatrol:

mishmonkey:

notanearlyadopter:

marilynhanson:

this means so much to me. so much

Okay but like actually this is the most thoughtful gift IN THE WHOLE WORLD.
It might seem to make more sense to give Ron the precious family heirloom (remember that Molly’s brother Fabian died in the First Wizarding War; Molly has held onto his watch out of sentimentality since then). But Ron is the sixth son in his (canonically financially-struggling) family. He’s been forced into hand-me-downs his whole life. If he’d gotten the watch with a dent in the back, he wouldn’t have appreciated it; he’d only have seen the flaw. And if his mum bought Harry a new watch instead of getting Ron one, Ron would have resented that. A new watch was a worthwhile expense to get Ron a rare taste of the luxury and individual attention he has always craved.
Harry, though. Harry has money; Harry has new things. What Harry does not have is family. Harry is an orphan. Other than one photo album and the invisibility cloak, he doesn’t have anything that came with family history attached. What Molly does here is give him that; she makes him part of the family, symbolically, by giving him an emotionally significant if physically imperfect item. She gives him love in a tangible form.

This makes me CRY

Even more sad: Molly didn’t just have one brother. She had two, Gideon and Fabian, and they were twins. They both died in the first war and Fred and George’s names are a deliberate remembrance of them. Molly is overbearing in protecting her sons and keeping them close, but losing her family isn’t an abstract threat to her. It’s something that’s already happened once. And she gives Fabian’s watch to Harry because he’s her kid too. He belongs in her family, and she’ll worry for him too, and fight for him, and afskfhgl I have so many herofeels for Molly Weasely the Supermum.  

roachpatrol:

mishmonkey:

notanearlyadopter:

marilynhanson:

this means so much to me. so much

Okay but like actually this is the most thoughtful gift IN THE WHOLE WORLD.

It might seem to make more sense to give Ron the precious family heirloom (remember that Molly’s brother Fabian died in the First Wizarding War; Molly has held onto his watch out of sentimentality since then). But Ron is the sixth son in his (canonically financially-struggling) family. He’s been forced into hand-me-downs his whole life. If he’d gotten the watch with a dent in the back, he wouldn’t have appreciated it; he’d only have seen the flaw. And if his mum bought Harry a new watch instead of getting Ron one, Ron would have resented that. A new watch was a worthwhile expense to get Ron a rare taste of the luxury and individual attention he has always craved.

Harry, though. Harry has money; Harry has new things. What Harry does not have is family. Harry is an orphan. Other than one photo album and the invisibility cloak, he doesn’t have anything that came with family history attached. What Molly does here is give him that; she makes him part of the family, symbolically, by giving him an emotionally significant if physically imperfect item. She gives him love in a tangible form.

This makes me CRY

Even more sad: Molly didn’t just have one brother. She had two, Gideon and Fabian, and they were twins. They both died in the first war and Fred and George’s names are a deliberate remembrance of them. Molly is overbearing in protecting her sons and keeping them close, but losing her family isn’t an abstract threat to her. It’s something that’s already happened once. And she gives Fabian’s watch to Harry because he’s her kid too. He belongs in her family, and she’ll worry for him too, and fight for him, and afskfhgl I have so many herofeels for Molly Weasely the Supermum.  

(via minuiko)

(Source: collinsdobrev, via glisseos)

The basic plot, which cannot be ignored even in the films, is that Harry, Hermione and Ron give up everything for their political struggle. They drop out of high school, they go illegal, defy the government, belong to an underground organization [The Order of the Phoenix], operate out of safe houses and forests and even raid offices of the government and banking offices. This is all done in principled opposition to the Dark Wizard Voldemort and a corrupt bureaucratized government that has been heavily infiltrated with his evil minions. This is revolutionary activity. But the movie version does not present it as such or emphasize these radical aspects of the plot, thereby entirely missing the dramatic sweep and action present in the first half of the last novel.

The novels recognize the importance of alternative media for political struggle. The mainstream press [The Daily Prophet] is shown as unreliable and unprincipled, eventually deteriorating into a fear-mongering propaganda machine for the Voldemort-controlled bureaucracy. For a while the alternative but above ground media [The Quibbler] publishes the real news, but it ceases to print after the daughter of the publisher is kidnapped. In the book, friends of Harry [Lee Jordan, with Fred and George Weasley as frequent guests] start broadcasting the real news from an underground radio station, encrypted with a password. This radio station becomes a critical link for the resistance, which is scattered and weak. Although we are treated to some radio broadcast updates in the movie, they are delivered by a disembodied and professional sounding voice, not our friends the Weasleys. This undermines the important message - a guiding principle behind the media coop - that in a serious situation it becomes necessary to produce your own media and not to rely on ‘professionals’.

The novel makes it clear that in this phase of the struggle the characters romantic lives take a backseat to their political activity, as Harry breaks up with the love of his life [Ginny Weasley] so as to avoid making her a target for Voldemort’s forces, who are known to use torture and kidnapping as tactics. The ‘love triangle’ that becomes the focus of the movie isn’t even really present in the books. In the books, the relationship between Harry and Hermione is totally platonic - Ron is shown as jealous, but the feeling is entirely without foundation. In the book Harry says to Ron: “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew” (pg 378, DH US Hardback). This conveys that men and women can be close comrades and friends without being involved romantically. But in the film, Harry and Hermione are shown dancing romantically, and Harry’s line to Ron about his brotherly feeling towards Hermione does not even make it into the film. This completely undermines the important message that jealousy is counter-productive and has toxic effects, which is an important feminist message for young people.

(Source: harrypottergif, via glisseos)

“There was a lot of running. I don’t like running. I don’t understand why people run.”

—   Matt Lewis on filming Deathly Hallows (via remusjohnmoonylupin)

(via goldendaffodils)

basicwitches:

snape be like *magically tips fedora* m’lily

(via balfies)

excepttheeyes:

“I ran away when I was about sixteen. I’d had enough…I hated the lot of them: my parents with their pure-blood mania, convinced that to be a Black made you practically royal…my idiot brother, soft enough to believe them…They thought Voldemort had the right idea, they were all for the purification of the wizarding race, getting rid of Muggle-borns and having pure-bloods in charge.”

(via balfies)

hp + hogwarts express » asked by 

(via whistleandaclick)

ϟ The Magic Begins Challenge: A Scene You Really Wanted To Be In The Movies, But Wasn’t

Have a biscuit, Potter.

(via whistleandaclick)

occupymalfoysbed:

Friendly reminder that Harry Potter straight up murdered a guy with his bare hands when he was 11 years old

(Source: boomione, via beauxbatonsacademy)

Last Lines; Harry Potter books

(via theighthalfblood)

MINERVA MCGONAGALL: [on her time at Hogwarts] … by the end of the 1953-1954 school year, her seventh and last year at the school, Minerva had achieved an impressive record: she achieved top grades in her O.W.L. and N.E.W.T. examinations, she had been both a Prefect and a Head Girl, and won the Transfiguration Today Most Promising Newcomer award. She, like Dumbledore, received “Outstanding” in all her O.W.L’s and N.E.W.T’s. Having learned Transfiguration from Professor Albus Dumbledore, Minerva became, under his guidance, an Animagus, an ability that was duly recorded in the Animagus Registry at the Ministry of Magic. Minerva also played for Gryffindor Quidditch team in her student years; a nasty fall in her final year (a foul during the Gryffindor versus Slytherin match which would decide the Quidditch Cup winner) left her with a concussion, several broken ribs and a lifelong desire to see Slytherin crushed on the Quidditch pitch.

(requested by sarellatully)

(Source: tanaquil, via balfies)